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Arthur Danto And The End Of Art

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Author :Raquel Cascales
ISBN :9781527538771
Genre :Art
File Size : 52.2 MB
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To get a comprehensive understanding of the core concept of “the end of art”, this book analyses the intellectual trajectory of Arthur Danto, highlighting his successive achievements in philosophy of action, philosophy of history and philosophy of art. If, as Danto says, everything is extensively associated with everything else, it is impossible to avoid putting the philosophy of art in relation with his whole philosophical system.

Beauty And The End Of Art

Author :Sonia Sedivy
ISBN :9781474255769
Genre :Philosophy
File Size : 80.45 MB
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Beauty and the End of Art shows how a resurgence of interest in beauty and a sense of ending in Western art are challenging us to rethink art, beauty and their relationship. By arguing that Wittgenstein's later work and contemporary theory of perception offer just what we need for a unified approach to art and beauty, Sonia Sedivy provides new answers to these contemporary challenges. These new accounts also provide support for the Wittgensteinian realism and theory of perception that make them possible. Wittgenstein's subtle form of realism explains artworks in terms of norm governed practices that have their own varied constitutive norms and values. Wittgensteinian realism also suggests that diverse beauties become available and compelling in different cultural eras and bring a shared 'higher-order' value into view. With this framework in place, Sedivy argues that perception is a form of engagement with the world that draws on our conceptual capacities. This approach explains how perceptual experience and the perceptible presence of the world are of value, helping to account for the diversity of beauties that are available in different historical contexts and why the many faces of beauty allow us to experience the value of the world's perceptible presence. Carefully examining contemporary debates about art, aesthetics and perception, Beauty and the End of Art presents an original approach. Insights from such diverse thinkers as Immanuel Kant, Hans-Georg Gadamer and Arthur Danto, Alexander Nehamas, Elaine Scarry and Dave Hickey are woven together to reveal how they make good sense if we bring contemporary theory of perception and Wittgensteinian realism into the conversation.

Danto And His Critics

Author :The art of the deal pdf free download torrentDavid Carrier
ISBN :UVA:X006003826
Genre :Art
File Size : 20.74 MB
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The End Of Literature Hegel And The Contemporary Novel

Author :Francesco Campana
ISBN :3030313948
Genre :Philosophy
File Size : 90.52 MB
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This book explores the concept of the end of literature through the lens of Hegel's philosophy of art. In his version of Hegel's 'end of art' thesis, Arthur Danto claimed that contemporary art has abandoned its distinctive sensitive and emotive features to become increasingly reflective. Contemporary art has become a question of philosophical reflection on itself and on the world, thus producing an epochal change in art history. The core idea of this book is that this thesis applies quite well to all forms of art except one, namely literature: literature resists its 'end'. Unlike other arts, which have experienced significant fractures in the contemporary world, Campana proposes that literature has always known how to renew itself in order to retain its distinguishing features, so much so that in a way it has always come to terms with its own end. Analysing the distinct character of literature, this book proposes a new and original interpretation of the 'end of art' thesis, showing how it can be used as a key conceptual framework to understand the contemporary novel.

End Of Art Philosophy In Hegel Nietzsche And Danto

Author :Stephen Snyder
ISBN :3319940716
Genre :Philosophy
File Size : 39.67 MB
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This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms.

End Of Art Philosophy In Hegel Nietzsche And Danto

Author :Stephen Snyder
ISBN :9783319940724
Genre :Philosophy
File Size : 45.97 MB
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This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms.

The End Of Art And Beyond

Author :Arto Haapala
ISBN :UCSD:31822023745961
Genre :Art
File Size : 52.67 MB
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The first half of this collection addresses these themes as given voice by the philosopher and critic Arthur Danto, while the second part contains essays of a more independent cast which assume a variety of stating points aimed at illuminating the theoreticity, temporality, computability, and abstract possibilities of present and future arts.

Art History After Modernism

Author :Hans (Professor of Art Belting, Science and Media Theory Karlsruhe's State College of Design Germany)
ISBN :0226041859
Genre :Art
File Size : 34.98 MB
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'Art history after modernism' does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art?. 'Known for his striking and original theories about the nature of art,' according to the Economist, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues—the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum—and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today.

Hegel S Grand Synthesis

Author :Daniel Berthold-Bond
ISBN :088706955X
Genre :Philosophy
File Size : 33.61 MB
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This book offers the first genuinely systematic treatment of Hegel's eschatology in the literature. It is an investigation into Hegel's project to demonstrate the ultimate unity of thought and being (consciousness and reality, self and world). The author traces the project through Hegel's epistemology, metaphysics, and philosophy of history. The grand synthesis creates a basic tension, an ambivalence, that reaches its most acute formulation in Hegel's eschatological language of a final completion or fulfillment of history. This conflicts with his dialectic and Heracletian metaphysics of becoming. Berthold-Bond concludes that a substantially new approach to Hegel's eschatology is needed.

Art And Interpretation

Author : Eric Dayton
ISBN :9781551111902
Genre :Art
File Size : 44.76 MB
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Art and Interpretation is a comprehensive anthology of readings on aesthetics. Its aim is to present fundamental philosophical issues in such a way as to create a common vocabulary for those from diverse backgrounds to communicate meaningfully about aesthetic issues. To that end, the editor has provided selections from a wide variety of challenging works in aesthetic theory, both classical and modern. The approach is often cross-disciplinary. Within the discipline of philosophy it seeks to balance readings from the analytic tradition with continental European, hermeneutical postmodern (including deconstructionist), and feminist readings. The anthology is thus broadly conceived, but by grouping the readings into sections such as ‘Expression and Aesthetic object,’ ‘Psychology and Interpretation,’ ‘Marxist Theory,’ and ‘Culture, Gender, and Difference,’ it aims as well to provide depth of coverage for each topic or issue. The book opens with a historical section containing substantial selections from Plato, Aristotle, Hume, Kant, Shelley and Nietzsche; these readings introduce themes that recur and are developed in the remainder of the anthology.

Milton Avery And The End Of Modernism

Author :Karl Emil Willers
ISBN :0615401813
Genre :Art
File Size : 59.9 MB
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Exhibition catalog featuring the work of Milton Avery, an artist who brought the sketch, with its spontaneity, movement, and fleetingness, to the status of a finished painting.

The End Of Art Theory

Author :Victor BURGIN
ISBN :OCLC:456699205
Genre :Art
File Size : 24.77 MB
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History Of Art In Phoenicia And Its Dependencies

Author :Georges Perrot
ISBN :OXFORD:302219227
Genre :Art
File Size : 40.8 MB
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Swinburne S Theory Of The End Of Art

Author :Thomas Edmund Connolly
ISBN :OCLC:854469659
Genre :
File Size : 86.57 MB
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The Bloomsbury Research Handbook Of Chinese Aesthetics And Philosophy Of Art

Author :Marcello Ghilardi
ISBN :9781350129788
Genre :Philosophy
File Size : 62.6 MB
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For anyone working in aesthetics interested in understanding the richness of the Chinese aesthetic tradition this handbook is the place to start. Comprised of general introductory overviews, critical reflections and contextual analysis, it covers everything from the origins of aesthetics in China to the role of aesthetics in philosophy today. Beginning in early China (1st millennium BCE), it traces the Chinese aesthetic tradition, exploring the import of the term aesthetics into Chinese thought via Japan around the end of the 19th century. It looks back to early practices of art and craftsmanship, showing how the history of Chinese thought provides a multitude of artefacts and texts that give rise to a wide range of aesthetic creations and notions. Introducing various perspectives on traditional arts in China, including painting, ceramics, calligraphy, poetry, music and theatre, it explores those aesthetic traditions not included in “canonic” art forms, such as martial arts, rock gardening, and ritual performance. Written by Chinese, European, and American theoreticians and practitioners, this authoritative research resource enhances contemporary aesthetics by revealing the possibilities of a Chinese philosophy of art.

Against Voluptuous Bodies

Author :J. M. Bernstein
ISBN :0804748950
Genre :Philosophy
File Size : 51.23 MB
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The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.

Why Is That Art?

Author :Terry Barrett
ISBN :0199758808
Genre :Art
File Size : 49.86 MB
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Why is that art? Why is it in an art museum? Who says it's art? Why is it good? Author Terry Barrett addresses these questions about contemporary art using four key sources: a broad, diverse, and engaging sampling of works, the artists who created the works, philosophers of art, and art critics.Why Is That Art?introduces students to established theories of art through the presentation of contemporary works that include abstract and representational painting, monumental sculpture, performance art, video installations, films, and photographs. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, this unique book provides students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation. FEATURES * Explores a variety of established theories of art,including Realism, Expressionism, Cognitivism, Formalism, and Postmodernist Pluralism * Applies each theory to contemporary works of art,discussing strengths and limitations of each mode of interpretation * Brings abstract ideas together in an accessible waythrough extended examples, giving students the understanding and vocabulary to confidently enter critical dialogue about art * Includes Questions for Further Reflectionat the end of each chapter * Includes seventy illustrations,twenty-five of which are in full color NEW TO THIS EDITION * Includes a new glossary of key terms * Expands the treatment of postmodernism,incorporating strategies of postmodernist art-making * Provides updated discussions of artistsJeff Koons, Kiki Smith, Paul McCarthy, and Andy Goldsworthy, as well as images of their new works

The End

Author :Carel Blotkamp
ISBN :1789141311
Genre :Art
File Size : 71.65 MB
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Interpretation Of Art

Author :Solomon Fishman
ISBN :9780520302815
Genre :Art
File Size : 49.98 MB
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This volume examines the criticism of five influential British writers on the visual arts—John Ruskin, Walter Pater, Roger Fry, Clive Bell, and Sir Herbert Read. Their works span a period in the history of art that “in productivity and significance is more impressive than any other period since the Renaissance.” Each of these writers possesses extraordinary literary skills. Another common tie is their awareness of serving as spokesmen for art to an audience that was mainly indifferent or even hostile. Even though the aesthetic outlook of Pater, Fry, and Bell represents a violent reaction to Ruskin’s moralistic and literary interpretation of art, they were no less concerned than he to overcome the national apathy toward art and to assert its cultural importance. Sir Herbert Read reconciles the oppositions in the work of his predecessors in an aesthetic philosophy that stresses the social and ethnical values of art without sacrificing the idea of individual expression. The major part of Solomon Fishman’s study is an examination of the aesthetic theories embodied in the writings of each critic. He extracts the theoretical assumptions that form the basis of each writer’s critical practice and traces the development of aesthetic doctrine as it was modified by the critic’s experience of actual works of art. The body of work of these writers is representative of the whole development of modern art criticism and aesthetic theory. Although they display great diversity in ideas and taste, all five critics were instrumental in shaping the response of the public, first of all toward art in general, and finally toward modern art. Their work represents a unified segment of the larger enterprise to understand and illuminate art and will interest anyone who wishes to enlarge their own understanding. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

Library Catalog Of The Metropolitan Museum Of Art

Author :Metropolitan Museum of Art (New York, N.Y.). Library
ISBN :UOM:39015016666557
Genre :Art
File Size : 32.48 MB
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